Textile Heritage Conservation Sciences

Ethnographic textiles are among the most fragile and complex artifacts in cultural heritage collections. Unlike traditional textiles, which are often well-documented and widely studied, ethnographic textiles present unique challenges due to their multimaterial composition, diverse production techniques, and exposure to varying environmental conditions over time. These artifacts are often made from organic materials such as barkcloth, feathers, vegetable fibers, natural dyes, and resins, many of which are susceptible to degradation, discoloration, and microbial growth.

A3TEX’s research not only enhances our understanding of historical textile production and trade but also provides essential tools for conservators seeking to preserve delicate cultural heritage artifacts. By integrating proteomics with advanced analytical techniques, the research of the A3TEX conservation scientists represent a significant contribution to both archaeological science and museum conservation efforts. Through the following research and analyses, A3TEX will establish a new standard in textile proteomics, offering a transformative approach to the study and preservation of historic fabrics worldwide.

Dr. Alessandro Ciccola’s main research is aimed in the innovative application of spectroscopic methods for the characterization of objects of art and historical interest, in agreement with the main principles of non-invasiveness and non-destructivity, fundamental for the conservation of Cultural Heritage.

Nascosto tra le meraviglie artistiche del Museo delle Civiltà a Roma, si cela un oggetto straordinario che racconta la grandezza delle civiltà indigene d’America: il Tlahmachayatl, un raro tessuto mesoamericano adornato di piume, testimone di una tradizione artigianale unica nel suo genere.

With trembling hands, I made a tiny breach in the upper left hand corner… widening the hole a little, I inserted the candle and peered in… at first I could see nothing, the hot air escaping from the chamber causing the candle to flicker. Presently, details of the room emerged slowly from the mist, strange animals, statues and gold – everywhere the glint of gold.